
The idea of push pull is that two
valves are better than one if you want serious power delivery. Transformer coupling
can be used - see later - but the use of a valve phase
splitter is often found. In the push pull circuit the two valves must
work 180 degrees out of phase with each other and to do this the input
signal has to be split into two. There are a number of variations of the
push-pull circuit. This is quite a common variety.
Assume a signal from an earlier AF
amplifying stage has reached the grid of the triode phase splitter via
C1. R2 and R4 are of equal value and so the current through the valve is
divided equally between them (ignoring the presence of the low value R3,
there to bias the cathode). C2 and C3 are outputs from the valve: each
going to one or other of the output valve grids. Note the presence of R5
and R6 disposed across the two outputs with a centre-tapping to the
cathodes of the output pair via R7. C4 is the common bypass capacitor
for both cathodes. The gain of the phase splitting stage is unity, hence
the need for an earlier AF amplifying stage. The outputs at cathode and
anode of the phase splitter are of course approximately equal but of
opposite phase to each other. A little thought shows why this is:
Imagine a positive-going signal at the
grid of the phase splitter. The valve conducts harder as the signal goes
more positive, resulting in a decrease of voltage at the anode but an
increase in exact proportion at the cathode.
T1, the output transformer, has a
centre-tapped primary driven from each end by the output valves acting
in unison but as they are 180 degrees out of phase, one 'pushes' as the other
'pulls'. The transformer build quality is
an important element in maintaining good quality audio.