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click on any of the covers shown
below to see a full size image

The very first edition of Practical
Wireless magazine, September 24th 1932. No 'FJ Camm' on the front cover,
but he is identified as the editor inside the magazine.

1933
This early cover offers the promise of a workshop for the radio
constructor. Note the use of two colours: the body is printed in a dark
blue, with red spot colour. The magazine was, in these early days, of a
large format, being 11.5" X 8.5" (295mm X 215mm) and stayed
that size until the outbreak of war.

1939
War looms now, but PW is still riding high. Note the
'Amateur Wireless' and 'Practical Television' banner. The cover price of
3d equates to less than 2p in today's money.
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F.J. Camm edited Practical Wireless for many years, starting in the
early 1930s right up to his rather untimely death. Under his guidance, a
magazine was developed to suit the needs of everyone interested in the practical side of radio construction. Not
for him the theoretical musings of other more laudable tomes - his
approach was essentially practical and easily readable. By these means
he encouraged many thousands of people to self-build and enjoy a fine
hobby activity that, were they not to have seen the content of Practical
Wireless, might well have felt that the subject was just too technical,
too 'clever' and complex for them.
In order to cater for as large a
potential readership as possible, FJ made a point of offering a range of
constructional articles suitable for everyone from the beginner to the
experienced and knowledgeable radio amateur and radio service engineer.
Always accompanied by point-to-point wiring diagrams designed to assist
those not too sure of theoretical circuitry plus clear theoretical
schematics, the magazine was required reading for all radio
enthusiasts.
Practical Wireless was a spectacular success story. As Camm forged
ahead, one by one, the competitor magazines fell by the wayside. At
least one was taken over by Practical Wireless: 'Amateur Wireless' can
be seen as part of the banner on the cover shot of the 1939 issue.
There were, and still are, detractors of F.J.'s approach. Some
disparagingly call his efforts 'Camm's Comics' (missing the
mass-readership point completely, I believe). Yet others disdainfully refer to the term 'practical' as though it carries some stigma, being
part of some lower order of reading akin to today's tabloids when
compared to the broadsheets. I feel that this is simply misplaced
snobbery, a 'holier than thou' approach.
The magazine was aimed at the radio
enthusiast, regardless of ability. Anyone requiring more rigour only
needed to peruse Wireless World, the trade journal of distinction. Many
chose to read both! Could it really have been misguided for the magazine
to balance theory with sound practical advice, to offer guidance
to the newcomer with clear, straightforward explanatory text and
diagrams? If so, then this
website and its creator are also guilty as charged - or at least aim to
be!

Practical Wireless was
noted almost as much for its advertising pages as
for its technical content and was an excellent market-place for everything
radio. Its broad appeal attracted adverts from
set makers as well as kit makers and component suppliers.

It is quite staggering
to think that during the 1930s, Practical Wireless was a weekly
publication. Anyone scanning the pages today would surely marvel at the
amount of material on offer. It is well known that FJ was a workaholic,
of course, but even so, it was quite a feat to produce such a quantity
of material for so many years. True, it wasn't all written by him - he
was backed by a talented technical staff, with draftsmen and graphic
artists and
there were many contributors - but the fact remains that he
and he alone created the magazine.
Wartime limitations on paper meant a
very thin magazine indeed, with fewer pages printed on poorer newsprint, fewer articles, fewer
advertisers but once the privations of war were left behind, the
situation slowly improved. War exigencies had
caused the magazine to become
a monthly publication. A permanent change that is understandable: the weekly format
of the early days must have been a punishing schedule for FJ and
besides, he had other avenues to explore, writing his numerous books and
editing several high-volume-selling monthlies, all with a strong 'practical'
theme.
Around 1955, four colour letterpress
covers displaced the old spot colour format and the magazine had a
visual makeover. Happily, the changes did not reach as far as the
content. On the sudden loss of FJ in 1959, others
bravely tried to fill his shoes and for sure they kept the PW flag flying,
but I feel it was never the same. A loss too to the many devotees of his
magazine; but the loss to his publishers must have
been almost incalculable. His death presaged the end of an era. Although
others took up the helm and steered the magazine into the years that
followed, the gradual but inevitable decline in popularity of radio
construction was mirrored by the continuing reduction in sales until,
eventually, the editorial material, together with the ownership of the
title, was transformed and finally became the magazine we know today
simply as 'PW', of virtually specialised interest to short wave
enthusiasts.
1946
This
cover shows a magazine greatly reduced in size to 9" X
6.5" (230mm X 165mm) and with less pages. Gone is the dark blue,
replaced by a header colour that changed from green to red over the
months. There are far fewer adverts than in the glory days before the
conflict. Cover price 9d (about 4p).
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1951
Price increased to one
shilling. Still using the spot colour that continued until the mid
1950s, the header typeface has changed to 'a more modern face'.
More adverts than the war years, but still the magazine is far from what it once
was. |
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January 1955 and 4-colour
artwork on a calendared 'gloss' paper has replaced the former
black and spot-colour covers. Inside is still monochrome, printed
by letterpress (probably rotary stereo plate) on paper closely
resembling - and little better than - newsprint. This had
traditionally been used as it kept the production costs down but
it did mean that photographs, where reproduced, had a coarse
screen, just like newspapers of the time. Such pictures were poor
on detail.
As a consequence of indifferent
paper quality (though it must be said, the paper used in the 1930s
does seem rather better than that chosen for later years), in the
1930s graphic line art was regularly used in the magazine but such
work required considerable artistic skill and probably eventually
self-limited due to price. Certainly from the onset of WWII such
graphic extravagance began to be curbed, perhaps partly due to
staffing limitations and reductions and where possible
drawings and diagrams, such as those used for headings like 'Short
Wave Section' were retained for years.
Of course, the policy of
providing line art depicting wired layouts for all major projects
continued unabated, and schematic work (theoretical diagrams) was
always draftsman-produced. In fact, throughout the Camm years and
well beyond, the house style of schematic depiction was one of the
great strengths of the magazine.
Quite how these later colour
covers were created is anyone's guess but they do appear to be
either much 'improved' photographs, or at least based upon
original photographs, probably monochrome ones. With this example,
the colours of the test equipment are anything but true-to-life - you
won't find many red-brown Avo meters, nor leaf-green res-cap
bridges or bright blue valve testers. The lettering in the lower
right corner is quaintly and very evidently hand-drawn. Still, it
is bright and very attractive in its now period way, so different
from the over-polished magazine covers of today.
If they can do it for Enid
Blyton... when, oh when, will someone make a film or TV series
about this brilliant man? And he should have been knighted for his
services to publishing, to radio, to hobbyists in general. |
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Above, left: artist's impression of
a new Goodman's loudspeaker. Above, right: artist's impression of
a Baird mirror-drum televisor. From Practical Wireless, September
9th 1933. Both examples represent top quality graphic line art. So now, existing in initial form, PW
lives on - in a manner of speaking.
Different publisher, different readership, different times. Sadly, the
20th century phenomenon that was the old
Practical Wireless - the amazing F.J. Camm's hobby, child, crusade - slips
away into the past, just a fond, fading memory.
They were great days.
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